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<?xml-stylesheet type="text/xsl" href="http://cs.artjewelrymag.com/artcs/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Polymer clay</title><link>http://cs.artjewelrymag.com/artcs/forums/31.aspx</link><description /><dc:language>en</dc:language><generator>CommunityServer 2007 SP2 (Build: 20611.960)</generator><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/65950.aspx</link><pubDate>Sat, 29 Aug 2009 07:47:59 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:65950</guid><dc:creator>VyaKyasha</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/65950.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=65950</wfw:commentRss><description>&lt;p&gt;&amp;nbsp;I want to kiss each and every one of you.&amp;nbsp; I just ordered Kato clay for the first time.&amp;nbsp; I&amp;#39;d read so many things about its quality is terms of color and non-bleeding when making canes.&amp;nbsp; I had no idea what I was getting myself into.&amp;nbsp; I made a huge investment (of money I don&amp;#39;t really have) to start making jewelry as a little side business.&amp;nbsp; I wanted to(and actually may have) cry when I opened my first block, and it shattered into a zillion tiny pieces.&amp;nbsp; I wrote the company that I ordered it from (WholeLottaWhimsy) in a panic to figure out what was wrong with my clay.&amp;nbsp; The woman was so nice and helpful.&amp;nbsp; She contacted Van Aken and sent me literature from the company.&amp;nbsp; I tried to use the Kato method of slicing and it was just frustrating me more.&amp;nbsp; Then I found this forum.&amp;nbsp; I took a huge breath, and tried the whacking method and it works so much better.&amp;nbsp; If I hadn&amp;#39;t found this forum, I may have just thrown out the clay and given up.&amp;nbsp; You guys are life savers!!!&lt;br /&gt;&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/64720.aspx</link><pubDate>Thu, 06 Aug 2009 21:29:26 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:64720</guid><dc:creator>dressagewoman</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/64720.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=64720</wfw:commentRss><description>&lt;p&gt;OK, I won&amp;#39;t expect the rest of my sidelined clay to behave that well!&amp;nbsp; &lt;br /&gt;&lt;/p&gt;&lt;p&gt;So how&amp;#39;s the horse adventure?&amp;nbsp; My guy is now semi-retired &amp;lt;pout&amp;gt;. &lt;br /&gt;&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/64718.aspx</link><pubDate>Thu, 06 Aug 2009 20:39:13 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:64718</guid><dc:creator>janalouise</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/64718.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=64718</wfw:commentRss><description>&lt;p&gt;Hi Dressage...well, that&amp;#39;s just plain weird (lol)!&amp;nbsp; I don&amp;#39;t have any clue how that happened if you didn&amp;#39;t add liquid clay.&amp;nbsp; The stuff right from the factory is SUPER soft, but it stiffens up fairly quickly after it&amp;#39;s sat on a shelf for a while.&amp;nbsp; &lt;/p&gt;
&lt;p&gt;I used to thiink that the white was softer than the other colors, but found that that wasn&amp;#39;t true (translucent, yes...since it has no pigment added); I&amp;#39;ve run across plenty of extremely hard white and very soft black :)&lt;/p&gt;
&lt;p&gt;Tony (Van Aken&amp;#39;s chemist) has explained to me just how difficult it is to get consistency in consistency (lol)....there are just so many variables, many of which are out of Van Aken&amp;#39;s control (climate, humidity, etc).&amp;nbsp; Seems we&amp;#39;re the ones who have to adapt to the clay as opposed to it adapting to us...darnit!&lt;/p&gt;
&lt;p&gt;take care, jana&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/64714.aspx</link><pubDate>Thu, 06 Aug 2009 19:19:35 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:64714</guid><dc:creator>dressagewoman</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/64714.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=64714</wfw:commentRss><description>&lt;p&gt;It hadn&amp;#39;t had liquid added to it, this was the first time I did that. It hadn&amp;#39;t been blended with other brands.&amp;nbsp; It had been sitting about 6 months!&amp;nbsp; &lt;/p&gt;&lt;p&gt;&amp;nbsp;Would love to get a package straight from the factory to see how much difference there is!&amp;nbsp; I do have a very unscientific impression that the lighter colored Kato clays are more tractible than the darker ones on average, this was almost all white/translucent. &amp;nbsp; &lt;br /&gt;&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/64708.aspx</link><pubDate>Thu, 06 Aug 2009 18:05:04 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:64708</guid><dc:creator>janalouise</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/64708.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=64708</wfw:commentRss><description>&lt;p&gt;As I just mentioned in my other post, it _is_ conditioned when it&amp;#39;s packaged.&amp;nbsp;&amp;nbsp; I&amp;#39;m wondering if&amp;nbsp; that lighter &amp;#39;scrap&amp;#39; clay that still seemed conditioned when you ran it through the machine had had liquid clay added to it...?&amp;nbsp; If so, that would be the reason it still seemed conditioned.&amp;nbsp; Clay that I&amp;#39;ve added liquid clay to stays very&amp;nbsp;soft for a long, long time.&amp;nbsp;The other thing I was wondering is how long it had been sitting before you ran it through the machine..?; this probably isn&amp;#39;t the reason it was still conditioned as Kato stiffens up pretty quickly, so may be moot...&lt;/p&gt;
&lt;p&gt;Glad to know that the &amp;#39;jana whack&amp;#39; method worked for you!&amp;nbsp; &lt;/p&gt;
&lt;p&gt;Good luck in your claying endeavors..&lt;/p&gt;
&lt;p&gt;jana&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/64707.aspx</link><pubDate>Thu, 06 Aug 2009 18:00:19 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:64707</guid><dc:creator>janalouise</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/64707.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=64707</wfw:commentRss><description>&lt;p&gt;Thing is, it IS conditioned when it&amp;#39;s made...it stiffens up after it&amp;#39;s packaged.&amp;nbsp; Now, if you can get it _straight_ from the factory, your wish would come true :)&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/64705.aspx</link><pubDate>Thu, 06 Aug 2009 17:19:30 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:64705</guid><dc:creator>LoveBeads</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/64705.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=64705</wfw:commentRss><description>&lt;p&gt;&amp;nbsp;I asked them if they could sell it PRE-whacked.&lt;/p&gt;&lt;p&gt;They were amused.&lt;/p&gt;&lt;p&gt;Maybe we sould all stsrt requesting it!!!! &lt;/p&gt;&lt;p&gt;I would start if I were you! &lt;br /&gt;&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/64704.aspx</link><pubDate>Thu, 06 Aug 2009 17:16:09 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:64704</guid><dc:creator>dressagewoman</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/64704.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=64704</wfw:commentRss><description>&lt;p&gt;&amp;nbsp;I conditioned 5 blocks of Kato (2oz size) yesterday, and I tried out the &amp;quot;Jana whack&amp;quot; method.&amp;nbsp; It definitely speeds the process up.&amp;nbsp; I hammered the blocks almost as thin as the wide setting on the pasta machine, drizzled on a little liquid medium, folded and ran through the machine.&amp;nbsp; Much faster than my &amp;quot;let the crumbs fall where they may&amp;quot; method, although some of the blocks still needed some of that even after being pounded to death.&amp;nbsp; Some were definitely more amenable than others.&amp;nbsp; &lt;/p&gt;&lt;p&gt;&amp;nbsp;One thing that surprised the heck out of me, however, is that I got out some light colored scrap clay to run through the machine to pick up dark bits, and that puppy was still conditioned!&amp;nbsp; I last used it, oh, several months ago.&amp;nbsp; A LONG time ago.&amp;nbsp; And it was still conditioned enough to run through the machine without cracking or crumbling. Is this normal?&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Makes me wonder if Van Aken could save us all a lot of grief by packaging it in a conditioned state. &lt;br /&gt;&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/55249.aspx</link><pubDate>Sat, 28 Feb 2009 19:15:25 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:55249</guid><dc:creator>janalouise</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/55249.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=55249</wfw:commentRss><description>&lt;p&gt;Is this *my* Edie (lol) in Houston???&amp;nbsp; Hey there!&lt;/p&gt;
&lt;p&gt;It could be that you&amp;#39;d told me about running over your clay...the&amp;nbsp;other person I&amp;#39;d heard about was doing it decades ago with their very hard FIMO Classic.&lt;/p&gt;
&lt;p&gt;I&amp;#39;m sure the kitchen counter and your meat tenderizer work wonders!&amp;nbsp; Everyone needs to decide what works best for them.&amp;nbsp; For me, and since I&amp;#39;m always working with the large (12.5 oz) blocks, a hard mallot on concrete floor is most efficient (as with reducing a cane, I advise doing it on a solid surface such as a concrete floor...this because if it&amp;#39;s on a table or counter top, the energy waves go through the table/counter top and down the legs instead of directly into the clay/cane..it&amp;#39;s just far more efficient and quick&amp;nbsp; when on a solid surface that forces all of the energy to go into the clay.&amp;nbsp; And, well, to be honest, into your hands :)&amp;nbsp; Best to wear gloves to avoid some of the shock).&lt;/p&gt;
&lt;p&gt;Take care,&lt;/p&gt;
&lt;p&gt;j&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/55248.aspx</link><pubDate>Sat, 28 Feb 2009 19:09:57 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:55248</guid><dc:creator>janalouise</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/55248.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=55248</wfw:commentRss><description>&lt;p&gt;Well, Linelle, let us know how it goes!&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/55247.aspx</link><pubDate>Sat, 28 Feb 2009 19:09:03 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:55247</guid><dc:creator>janalouise</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/55247.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=55247</wfw:commentRss><description>&lt;p&gt;If you do go for the obstacle course, I want pictures!!!&amp;nbsp; Guess if anyone knew for obstacle courses, it would be you!!&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/55073.aspx</link><pubDate>Wed, 25 Feb 2009 15:39:17 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:55073</guid><dc:creator>clayjoy</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/55073.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=55073</wfw:commentRss><description>Jana,

Hi!

I may have been the person you were referring to as &amp;quot;running over with a car&amp;quot; conditioning.  At that point, I was conditioning the old Fimo Classic.  The car flattened it, but didn&amp;#39;t really make the clay &amp;quot;sweetly reasonable&amp;quot; in condition.  I think that was because the rubber of the tires was not really a shock.  

What did work was the &amp;quot;whacking&amp;quot; you describe.  I would take the flat side of an old heavy meat tenderizing hammer and whack all six sides of a package with the clay inside.  Yes, the package did split open while doing that, no harm, and the result was a clay that agreed to do what I wanted it to do after some easy runs through the pasta machine.  Use it all the time when I work with Kato. I whack on the kitchen counter for a hard surface.

Since the handle of my meat tenderizing hammer was relatively thin, I built the handle up with electrical tape for a more ergonomic feel and to reduce the shock of the hammer blow going into my aging hand, elbow and shoulder.  

Edie</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/55027.aspx</link><pubDate>Tue, 24 Feb 2009 22:10:04 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:55027</guid><dc:creator>Linelle</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/55027.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=55027</wfw:commentRss><description>&lt;p&gt;No, seriously. This is a good idea, esp. if you&amp;#39;ve got little blocks or sliced up 1-pounders. Since I park my car in my studio, it&amp;#39;s an obvious tool for this. I think a little something over the top of the clay would be helpful, so&amp;#39;s you don&amp;#39;t get dirt and rubber in the mix.&amp;nbsp;&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/55026.aspx</link><pubDate>Tue, 24 Feb 2009 21:34:58 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:55026</guid><dc:creator>dressagewoman</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/55026.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=55026</wfw:commentRss><description>&lt;p&gt;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/artcs/Themes/artjewelry2007/images/icon-quote.gif"&gt; &lt;strong&gt;janalouise:&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;Folks have tried just about every method, including running over it with a car!!!&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;quot;Does this work?&amp;quot;, she asked excitedly.&amp;nbsp; Bet you could do the BIG blocks this way, lots of &amp;#39;em!&amp;nbsp; Wonder what my neighbors would think if I laid out a little obstacle course in front of the house...&lt;br /&gt;&lt;/p&gt;</description></item><item><title>Re: Kato Clay</title><link>http://cs.artjewelrymag.com/artcs/forums/thread/54820.aspx</link><pubDate>Sat, 21 Feb 2009 17:30:28 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:54820</guid><dc:creator>janalouise</dc:creator><slash:comments>0</slash:comments><comments>http://cs.artjewelrymag.com/artcs/forums/thread/54820.aspx</comments><wfw:commentRss>http://cs.artjewelrymag.com/artcs/forums/commentrss.aspx?SectionID=31&amp;PostID=54820</wfw:commentRss><description>&lt;p&gt;Hey Linelle...&lt;/p&gt;
&lt;p&gt;I really think it doesn&amp;#39;t matter which method you use (thwacking or pressing)...the result would probably be the same.&amp;nbsp;&amp;nbsp;Let&amp;#39;s throw this experiment out there and see who bites!!&amp;nbsp; You&amp;#39;ve got the vise; I&amp;#39;d say, go for it :)&lt;/p&gt;
&lt;p&gt;And, yes, it is the&amp;nbsp;&amp;#39;shock waves&amp;#39; that soften the clay using *my* method&amp;nbsp;(I&amp;nbsp;say *my* because I&amp;#39;ve since become aware that others were smacking their hard FIMO Classic back in the day)....&lt;/p&gt;
&lt;p&gt;Folks have tried just about every method, including running over it with a car!!!&lt;/p&gt;
&lt;p&gt;Take care,&lt;/p&gt;
&lt;p&gt;j&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item></channel></rss>