<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet type="text/xsl" href="http://cs.artjewelrymag.com/artcs/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results matching tag 'Art Jewelry magazine'</title><link>http://cs.artjewelrymag.com/artcs/search/SearchResults.aspx?o=DateDescending&amp;tag=Art+Jewelry+magazine&amp;orTags=0</link><description>Search results matching tag 'Art Jewelry magazine'</description><dc:language>en-US</dc:language><generator>CommunityServer 2007 SP2 (Build: 20611.960)</generator><item><title>Friday Highlights from the Subscriber Gallery: Round 2, Jill's choice</title><link>http://cs.artjewelrymag.com/artcs/blogs/artjewelry/2009/11/20/friday-highlights-from-the-subscriber-gallery-round-2-jill-s-choice.aspx</link><pubDate>Fri, 20 Nov 2009 16:19:00 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:70694</guid><dc:creator>Jill Erickson</dc:creator><description>&lt;p&gt;Time flies! I&amp;#39;m up again to choose three favorite posts from our online Subscriber Gallery. I&amp;#39;m going for a theme here this week that I like to call, &lt;span style="font-weight:bold;font-style:italic;"&gt;Keep on a-Rockin&amp;#39; it&lt;/span&gt; (work that incorporates some kind of stone in its design). &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;img src="http://cs.artjewelrymag.com/artcs/photos/wirechainmail/images/42141/650x488.aspx" align="left" hspace="5" width="300" alt="" /&gt;&lt;/p&gt;&lt;p&gt;From the &lt;a href="http://cs.artjewelrymag.com/artcs/photos/wirechainmail/default.aspx?PageIndex=4" title="art jewelry magazine subscriber gallery wire chain mail" target="_blank"&gt;Wire/chain mail gallery&lt;/a&gt;: &amp;quot;Basia Mille&amp;quot; by &lt;a href="http://cs.artjewelrymag.com/artcs/members/AdenAngier.aspx" title="aden angier profile" target="_blank"&gt;Aden Angier&lt;/a&gt;. This necklace shows off a polished drop chalcedony, and a pair of faceted blue topaz stones. Simple and elegant. &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;img src="http://cs.artjewelrymag.com/artcs/photos/metalclay/images/69256/650x650.aspx" align="left" hspace="5" width="300" alt="" /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;From the &lt;a href="http://cs.artjewelrymag.com/artcs/photos/metalclay/default.aspx?PageIndex=2" title="art jewelry magazine subscriber gallery metal clay" target="_blank"&gt;Metal Clay gallery&lt;/a&gt;: &lt;a href="http://www.patriksstudio.com/jewelryshowcase.html" title="patrik kusek web site" target="_blank"&gt;Patrik Kusek&amp;#39;s&lt;/a&gt; wrapped jasper pendants. &lt;a href="http://cs.artjewelrymag.com/artcs/members/patriksstudio.aspx" title="patrik kusek" target="_blank"&gt;Patrik&lt;/a&gt; is firing the metal clay with the stones in place!&amp;nbsp; &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/photos/metals/images/64833/650x403.aspx" align="left" hspace="5" width="300" alt="" /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;From the &lt;a href="http://cs.artjewelrymag.com/artcs/photos/metals/default.aspx?PageIndex=8" title="art jewelry magazine subscriber gallery metals" target="_blank"&gt;Metals gallery&lt;/a&gt;: A lovely brooch by &lt;a href="http://cs.artjewelrymag.com/artcs/members/MonikaR.aspx" title="monika roos profile" target="_blank"&gt;Monika Roos&lt;/a&gt;. The use of mixed metals in cool and warm colors provide a striking complement to the lapis focal stone&lt;a href="http://cs.artjewelrymag.com/artcs/members/MonikaR.aspx" title="monika roos profile" target="_blank"&gt;&lt;/a&gt;. &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Keep posting your work. The gallery &amp;quot;doors&amp;quot; are always open for new submissions! Happy Friday, Jill :)&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>PBS series Craft in America interviews artists in their studios</title><link>http://cs.artjewelrymag.com/artcs/blogs/artjewelry/2009/11/13/pbs-series-craft-in-america-interviews-artists-in-their-studios.aspx</link><pubDate>Fri, 13 Nov 2009 19:20:00 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:70208</guid><dc:creator>Jill Erickson</dc:creator><description>&lt;p&gt;I don&amp;#39;t know about you, but I love going to artists&amp;#39; studios, listening to their stories, and watching them work. That&amp;#39;s why the PBS series, &lt;a href="http://video.pbs.org/program/1235387271/" title="pbs craft in america" target="_blank"&gt;Craft in America&lt;/a&gt;, is my favorite show right now. If you can&amp;#39;t watch it when it airs on TV, you can check out full episodes online. Each Episode focuses on a &lt;a href="http://www.pbs.org/craftinamerica/" title="CraftinAmericawebsite" target="_blank"&gt;particular theme&lt;/a&gt;, such as Process, Community, Landscape, and Memory. Of course I&amp;#39;m delighted when jewelry-makers are featured, but I like learning about the artists working in all the other disciplines too.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;a href="http://video.pbs.org/video/1275397319/" title="PBSCraftinAmericaEpisode2Landscape" target="_blank"&gt;Episode II focuses on Landscape&lt;/a&gt; --&amp;nbsp; how it influences what each artist makes and why he or she makes it. In Chapter 2, metalsmith &lt;a href="http://www.janyagerstudio.com/" title="Janyager" target="_blank"&gt;Jan Yager&lt;/a&gt; shares her processes and invites us into her Philadelphia studio. Her&amp;#39;s is an urban landscape. The work she makes is informed by the objects, textures, and city-tough plants that grow within a one-block radius of her studio.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/YAGER1.png"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/YAGER1.png" border="0" height="207" width="375" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/YAGER2.png"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/YAGER2.png" border="0" height="203" width="370" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/YAGER3.png"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/YAGER3.png" border="0" height="199" width="358" alt="" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;In Chapter 8, metalsmith and sculptor &lt;a href="http://www.kitcarsonjewelry.com/" title="kitcarsonjewelry" target="_blank"&gt;Kit Carson&lt;/a&gt; takes us on a walk among saguaro cacti in the Sonoran desert. His studio is in New River, Arizona which couldn&amp;#39;t be more different from Philadelphia.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/DESERT.png"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/DESERT.png" border="0" alt="" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/KCWORK.png"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/KCWORK.png" border="0" height="194" width="354" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/KCENGRAVING.png"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/KCENGRAVING.png" border="0" height="195" width="350" alt="" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;If you have a favorite artist from this series, I&amp;#39;d love to hear about it! Have a great week. Cheers, Jill &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt; &amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>Heard about anvil shooting yet?? You've got to watch this video!</title><link>http://cs.artjewelrymag.com/artcs/blogs/artjewelry/2009/11/10/heard-about-anvil-shooting-yet-you-ve-got-to-watch-this-video.aspx</link><pubDate>Tue, 10 Nov 2009 15:22:00 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:70062</guid><dc:creator>Addie Kidd</dc:creator><description>&lt;p&gt;A quick hello here from the &lt;a href="http://www.artjewelrymag.com/art/Default.aspx?c=a&amp;amp;id=385" title="Learn about who we are at Art Jewelry magazine." target="_blank"&gt;&lt;i&gt;Art Jewelry&lt;/i&gt; magazine&lt;/a&gt; headquarters.&lt;br /&gt;&lt;/p&gt;&lt;p&gt;So I came across this video the other day, and absolutely &lt;b&gt;had&lt;/b&gt; to share it with you. You won&amp;#39;t believe what this guy can do with an old jeweler&amp;#39;s anvil! The gentleman in the video, Gay Wilkinson from Missouri, is apparently
a World Champion Anvil Shooter. Who knew there were such things?!?&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=IhQ4dE_RGnQ" title="Watch a video about anvil shooting." target="_blank"&gt;Video: How to Shoot an Anvil 200 Feet in the Air.&lt;/a&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.youtube.com/watch?v=IhQ4dE_RGnQ" title="Watch a video on anvil shooting" target="_blank"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Addie/How_to_shoot_an_anvil.jpg" title="Video: How to Shoot an Anvil" alt="Video: How to Shoot an Anvil" align="baseline" border="0" hspace="5" width="300" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;To sum up the video:&lt;/b&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;b&gt;Put a whole bunch of gun powder beneath a heavy (think 100 lbs [45 kilos]), traditional blacksmith&amp;#39;s anvil.&lt;/b&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;Using a fuse, ignite the powder. When the powder explodes, the anvil launches high into the sky. &lt;/b&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;Run.&lt;/b&gt;&lt;/li&gt;&lt;/ol&gt;&lt;p&gt;My &amp;quot;inner giggling adolescent&amp;quot; got such a kick out of this video. I think my favorite part (besides the obvious explosion), was the aftermath - I was fascinated to see how deeply the anvil&amp;#39;s impact embedded it in the ground.&lt;/p&gt;&lt;p&gt;Of course, I don&amp;#39;t recommend trying this at home. As cool as this &amp;quot;sport&amp;quot; is to watch, I&amp;#39;m glad I have the distance of YouTube and the internet to protect me. I may just be a bit too much of a fraidy-cat to hang out in that field while they&amp;#39;re shooting off anvils. Even with safety gear, how exactly do you predict where a flying anvil is going to land? &lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;blockquote&gt;And if you just can&amp;#39;t get enough anvil shooting, &lt;a href="http://www.youtube.com/watch?v=m_c0B00Ax3w" title="Anvil shooting montage" target="_blank"&gt;here&amp;#39;s another video link&lt;/a&gt;. It&amp;#39;s an anvil-launching montage!&lt;br /&gt;&lt;/blockquote&gt;&lt;p&gt;&lt;br /&gt;Take care, and have an explosive Tuesday!&lt;/p&gt;&lt;p&gt;~Addie~&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;[&lt;a href="http://kottke.org/09/10/how-to-shoot-an-anvil-200-feet-into-the-air" title="Kottke.org" target="_blank"&gt;Via Kottke&lt;/a&gt;]&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</description></item><item><title>Friday Highlights from the Subscriber Gallery: Jill’s choice</title><link>http://cs.artjewelrymag.com/artcs/blogs/artjewelry/2009/10/23/friday-editor-s-picks-from-the-subscriber-online-galleries.aspx</link><pubDate>Fri, 23 Oct 2009 18:54:00 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:69053</guid><dc:creator>Jill Erickson</dc:creator><description>&lt;p&gt;Last Friday, Hazel got our new &lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/2009/10/16/from-our-online-gallery-editor-s-picks.aspx" title="Hazel Wheaton editor&amp;#39;s pick blog" target="_blank"&gt;&amp;quot;editor&amp;#39;s picks&amp;quot; weekly blog post&lt;/a&gt; rolling.&amp;nbsp; We&amp;#39;ll be aiming the spotlight on three pieces of jewelry made by our subscribers who&amp;#39;ve generously posted work in our online galleries. Today, it&amp;#39;s my turn! Without further ado, here are my selects: &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/longstonebracelet.jpeg"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/longstonebracelet.jpeg" align="left" border="0" height="294" width="392" alt="" /&gt;&lt;/a&gt; From our Alternative Materials Gallery: &lt;i&gt;Long Stone Bracelet&lt;/i&gt; by &lt;a href="http://www.etsy.com/shop.php?user_id=6166856" title="shelly daly, art jewelry magazine, editor&amp;#39;s picks" target="_blank"&gt;Shelly Daly&lt;/a&gt;. I really like the scale and simplicity of this piece. And of course there&amp;#39;s that whole beach stone thing going on. &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/juicyearringsbyjuiceglass.aspx.jpeg"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/juicyearringsbyjuiceglass.aspx.jpeg" align="left" border="0" height="365" hspace="5" width="397" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;From our Enamels and Glass Gallery: &lt;i&gt;Juicy Earrings&lt;/i&gt; by Juice Glass. That cobalt blue is marvelous.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/arboldevida.aspx.jpeg"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/arboldevida.aspx.jpeg" align="left" border="0" height="338" hspace="5" width="411" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;From our Metal Clay Gallery: &lt;i&gt;Arbol de Vida&lt;/i&gt; pendant by &lt;a href="http://www.lorenaangulo.com/" title="lorenaangulojewelry" target="_blank"&gt;Lorena Angulo&lt;/a&gt;.&amp;nbsp; Lorena&amp;#39;s interpretation of the &amp;quot;tree of life&amp;quot; motif employs hand-sculpted bronze metal clay. &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Enjoy and have a great week. Keep posting your wonderful work on the Subscriber Galleries! Cheers, Jill &lt;br /&gt;&lt;/p&gt;&lt;p&gt; &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>Tube-cutting jig from bamboo pendant</title><link>http://cs.artjewelrymag.com/artcs/forums/p/17108/67949.aspx#67949</link><pubDate>Sun, 04 Oct 2009 03:46:54 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:67949</guid><dc:creator>Milinka</dc:creator><description>&lt;p&gt;The picture of the tube-cutting jig in the instructions for the bamboo pendant in the November 2009 issue&amp;nbsp;seems to be much larger than anything I&amp;#39;ve been able to find anywhere.&amp;nbsp; Does anyone have any idea if it can accommodate bigger tubes than this: &lt;a href="http://www.contenti.com/products/saws/400-135.html"&gt;http://www.contenti.com/products/saws/400-135.html&lt;/a&gt;&amp;nbsp;?&amp;nbsp;I want to cut smaller pieces of larger-diameter tubes, and this and the standard plumber tube cutter do not work for this.&amp;nbsp; I&amp;#39;d appreciate any information.&amp;nbsp; Thanks!&lt;/p&gt;</description></item><item><title>Make your own clasps and elevate your work</title><link>http://cs.artjewelrymag.com/artcs/blogs/artjewelry/2009/10/02/make-your-own-clasps-and-elevate-your-work.aspx</link><pubDate>Fri, 02 Oct 2009 22:10:00 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:67911</guid><dc:creator>Hazel Wheaton</dc:creator><description>&lt;p&gt;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/150.jpg"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/150.jpg" border="0" alt="" /&gt;&lt;/a&gt;&amp;nbsp; This week, the editorial and art staffs of &lt;i&gt;Art Jewelry&lt;/i&gt; sat down for our monthly &amp;quot;New Proposals&amp;quot; meeting. This is the time set aside for evaluating all the new material that has been submitted to us — either for a proposed how-to project, a technical article, or Gallery. We refer to the process as &amp;quot;jurying,&amp;quot; much like judges will do for a show or a competition. &lt;br /&gt;&lt;/p&gt;&lt;p&gt;By far, the greatest number of proposals come in for our Gallery — which isn&amp;#39;t surprising at all. One of the most common observations among the staffers is, &amp;quot;It&amp;#39;s nice work, but why did she/he have to use pre-bought findings?&amp;quot; Making your own ear wires or clasps or connections is relatively simple — and certainly it&amp;#39;s within the skill set of the artists who make the complex and beautiful pieces that cross our desks for evaluation. It&amp;#39;s a finishing touch that shows a level of artistry and attention that goes beyond just stringing on a set of earwires that come 10 to a bag. And yes, people &lt;i&gt;do&lt;/i&gt; notice.&lt;/p&gt;&lt;p&gt;If you&amp;#39;re looking for a how-to on making your own clasps, &lt;i&gt;Art Jewelry&lt;/i&gt; Associate Editor Addie Kidd recently filmed a tutorial for Kalmbach&amp;#39;s new &lt;a href="http://www.iamplify.com/kalmbach/?cid=KM0011" target="_blank"&gt;Jewelry Classes on Demand&lt;/a&gt; series.The tutorial shows you how to make an S-hook clasp, two kinds of hook-and-eye clasps, a spiral hook clasp, and a toggle clasp — all using basic wireworking techniques. &lt;br /&gt;&lt;/p&gt;</description></item><item><title>Adie's download for silver earrings</title><link>http://cs.artjewelrymag.com/artcs/forums/p/16958/67551.aspx#67551</link><pubDate>Sat, 26 Sep 2009 11:33:45 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:67551</guid><dc:creator>alfeze</dc:creator><description>&lt;p&gt;My adobe cant read the pdf document that is available for download for this lovely earring project... any ideas?&lt;/p&gt;
&lt;p&gt;thanks&lt;/p&gt;
&lt;p&gt;Anne&lt;/p&gt;</description></item><item><title>Article Idea</title><link>http://cs.artjewelrymag.com/artcs/forums/p/16423/65794.aspx#65794</link><pubDate>Wed, 26 Aug 2009 00:37:48 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:65794</guid><dc:creator>delinquent beader</dc:creator><description>&lt;p&gt;&lt;/p&gt;</description></item><item><title>Collecting stones along Agate Beach at Patrick's Point state park, California</title><link>http://cs.artjewelrymag.com/artcs/blogs/artjewelry/2009/08/13/collecting-stones-along-agate-beach-at-patrick-s-point-state-park-california.aspx</link><pubDate>Thu, 13 Aug 2009 17:46:00 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:65136</guid><dc:creator>Jill Erickson</dc:creator><description>&lt;p&gt;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/webbeach.jpg"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/webbeach.jpg" align="left" border="0" hspace="5" alt="" /&gt;&lt;/a&gt; When you think of beaches, do you imagine sandy shores? Or do you conjure up images of a coastline piled with gazillions of smooth stones and pebbles? Or maybe you picture tide pools? I like all three, but I&amp;#39;m a rock hound at heart, so my recent trip to California&amp;#39;s northern coast had to include a stop at Agate Beach in Patrick&amp;#39;s Point state park. This strip along the Pacific coast is stunning; with its super-sized ferns, beautiful redwoods, and banks of fog that roll in and out like the tides, it&amp;#39;s downright enchanted.&lt;/p&gt;&lt;p&gt;As much as I enjoyed the beach for its sunshine and refreshing breeze, I was most excited about spending time looking for agates. Which seems to be about patience, luck, and perhaps a little concentration. Here&amp;#39;s a snapshot of my favorite finds:&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/webagates.jpg"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/webagates.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;I also collected other smooth, flat-ish stones similar to the ones in the photo below, that I intend to drill and make into pendants. You can download &lt;a href="http://www.artjewelrymag.com/art/Default.aspx?c=a&amp;amp;id=1203" title="Drilling through glass" target="_blank"&gt;Addie&amp;#39;s tutorial on how to drill through glass&lt;/a&gt; and use her same technique to drill through stone. Just be sure to inspect your stones to avoid drilling through cracks or fissures. &lt;/p&gt;&lt;p&gt;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/webstones.jpg"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/webstones.jpg" align="left" border="0" hspace="5" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;And then of course, I wouldn&amp;#39;t have considered my trip completely successful unless I also made a banana slug siting. Yes, there is such a creature. Check out this beauty. My friend&amp;#39;s son spied this guy during one of our hikes. &lt;i&gt;Special shout-out to Sam and Ben&lt;/i&gt; :)&amp;nbsp; &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;a href="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/webbananaslug.jpg"&gt;&lt;img src="http://cs.artjewelrymag.com/artcs/blogs/artjewelry/Jill/webbananaslug.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;I hope your summer has been a good one. And that you&amp;#39;ve had some time to make jewelry, visit family and friends, and enjoy moments of rest and relaxation. Cheers!&amp;nbsp; Jill&amp;nbsp; &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>september 2009 Polymer &amp;amp; metal clay</title><link>http://cs.artjewelrymag.com/artcs/forums/p/16070/64632.aspx#64632</link><pubDate>Wed, 05 Aug 2009 18:10:04 GMT</pubDate><guid isPermaLink="false">9605ba16-a6fd-4374-97d6-a658edea507a:64632</guid><dc:creator>Oopa</dc:creator><description>&lt;p&gt;Hello,&lt;/p&gt;
&lt;p&gt;I am a recent subscriber from the Netherlands. I love the magazine! The polymer clay &amp;amp; metal clay project in this last issue (september 2009) really fired my enthusiasm. I have ordered mica powder from the USA, and now am searching the internet for the mentioned &amp;#39;acrylic medium&amp;#39; Cindy Silas used to add the mica powder color to the polymer clay. I cannot find any! It probably is a generic name for something, which is unknown to me and my local store. Could you help me out? Also, Cindy uses a silicon spray as a release agent, could this just be any regular spray? Again, no one here can help me with these questions....too specific I&amp;#39;m afraid.&lt;/p&gt;
&lt;p&gt;Thank you for your help, and thank you for your wonderful magazine.&lt;/p&gt;
&lt;p&gt;Regards,&lt;/p&gt;
&lt;p&gt;Marjan (Nuenen, the Netherlands)&lt;/p&gt;</description></item></channel></rss>